


Projects

Solo 'Silent Heat'
Choreography: Claire de Caluwe
Event: Het Archief, Rotterdam








"Tanz mit dem Tiger"
"Using a tablet, the audience will see both the two live dancers and the four digital choreographers - from Brazil, Hong Kong and the US - in the form of their transformed avatars."
Artistic Director / Choreographer: @pablosansalvador
Music & Sound Design: @maxmlevy
3D Digital Animator: @guidostuchphoto
Software Designer & Coder: @derabbay
Production Manager: @raphaellepolidor
Dramatic Advisor: @sanderina_15
Distant Digital Dance Makers:
BRASIL: Claudia Nwabasili & Roges Doglas @ciapenomundo
HONG KONG: @zelia_zz_tan
USA: @paschichkelsey @project_whitewall
Graphic Design: @forever.designbuero


about
Claire de Caluwe (She/Her) was born in Amsterdam in 1999. She began her dance training in ballet at the Dutch National Ballet in Amsterdam before completing her pre-dance education at Codarts, Rotterdam. She went on to study Urban Contemporary Dance at the University of the Arts in Amsterdam (BA) and, in 2020, joined the Dutch dance company Scapino Ballet in Rotterdam. Since 2021, she has been working as a freelance dancer and model.
In 2023, Claire became part of the project-based dance company Nagelhus Schia Productions in Norway, where she contributed to new creations and repertoire, collaborating with choreographers such as Sasha Waltz, Hege Haagenhund, and Crystal Pite.
Alongside working with choreographers like Ed Wubbe, Dalton Jansen, and Joost Vrouenraets, Claire also creates her own choreographic work in collaboration with Bo Jacobs. Her debut piece, LIMP (2023), has been presented on various stages, including the 37th Choreography Competition Hannover, Platform 14 Berlin, Nederlandse Dansdagen 2024, and the Amsterdam Fringe Festival 2024.
Claire has increasingly explored the intersection of dance and film, leading to the creation of her first short film, Dermis, which premiered in 2024 in Amsterdam in collaboration with videographer Justin Bekker.
"As a dance artist, I find value in communication through movement. How can bodies communicate with each other in a way that allows the audience to share and feel in the experience?
Immersing myself in a pool of imagination and guiding the outside observer on this journey is central to my creative process. My initiation point often comes from a place of vulnerability, delving into the raw inner world of an individual.
This process reignites my 'inner child' and sense of happiness—elements I believe are essential to nurture.
Dance is a channel for me to externalize everything I gather—thoughts, desires, fears—making art a poetic translation of life. I am particularly inspired by collaborations and interdisciplinary projects that merge different artistic forms into something new and compelling."

News

Shanghai May-August 2026
model & dance artist
From late August through mid-November, Claire will be based in Shanghai, China, where she will be working primarily as a model.
She’s also excited to explore the city’s vibrant arts and cultural community and is open to collaborations as a dance artist, choreographer, and movement director for film and related projects.
Claire would love to connect with fellow creatives in Art, Theatre, Dance, Movement Direction, and Film during her stay.
If you’d like to collaborate, feel free to get in touch with Claire!

REVIEW - VOLKSKRANT
September 9 2024
"Bo Jacobs en Zoë Greten gaan in Limp, gemaakt met de geblesseerde Claire de Caluwe, de strijd aan met door sociale media opgelegde verwachtingen. Die spannen, zo blijkt, als een tweede huid om hun gezicht en armen. Als alerte kraanvogels trippelen ze net zo lang tot hun spierkracht voor barsten zorgt. Ze breken uit de plastic beklemming, zonder dat het te letterlijk oogt." by Annette Embrechts.

REVIEW - THEATERKRANT
September 9 2024
"In LIMP ligt onder een dubbelgeslagen lap wit gaasdoek in rood licht een dubbelgevouwen wezen met vier armen en twee hoofden. Staat het op, dan blijkt het twee rompen en vier benen te hebben. Het schrijdt en rolt en schuift naar voren, opzij, en terug in een eindeloze, ruisende en rollende dynamiek tussen de twee fysieke en mentale krachten in één omhulsel. De bovenste danseres neemt het hoofd van de onderste in de handen en stuurt het gevaarte, de onderste rolt haar rug omhoog en stuwt de twee-eenheid op die manier voort." by Wendy Lubberding


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